Saturday, June 20, 2026

Mahabharata for Yoga Teachers

 Background

The Mahabharata epic is one of the longest epic poems in world literature.  The Kurukshetra War it describes occurred sometime between 6000 BCE and 500 BCE, based on the astronomical and literary information contained within it.  Professor K. Srinivasaraghavan is a foremost authority on the subject and fixed November 22, 3067 BC as the day on which the Mahabharata War began.  Krishna, one of the major characters in the epic, was supposed to have died 35 years after the end of the war.  European students of Indian astronomy arrived at February 18, 3102 BC as the day on which Krishna died, so the dating is close.  During this period of history, we know that drainage and sewage systems were built in the Indus valley and polo was played, ziggurats were constructed in Mesopotamia, temples built in Malta, adobe structures built in Peru, and upper and lower Egypt were united under a single ruler. 

    When I visited India in 1986, I drove across the location of the battlefield with an Indian man for whom this was "current events". The plain of Kurukshetra is in the modern state of Haryana in northern India near New Delhi. The war lasted eighteen days during which vast armies from all over the Indian Subcontinent fought alongside the two rival factions. The war narrative forms more than a quarter of the Mahabharata, suggesting its relative importance within the epic, which overall spans decades of the warring families. 

The narrative describes individual battles of various heroes of both sides, battle-field deaths of some of the prominent heroes, military formations employed on each day by both armies, war diplomacy, meetings and discussions among the heroes and commanders before the commencement of battle on each day and the weapons used. The chapters (parvas) dealing with the war (from chapter six to ten) are considered amongst the oldest in the entire Mahabharata epic. 

The Mahabharata is an epic mythological work which spans many volumes.  It can be likened to the Iliad and the Odyssey, except that it contains many more stories and fables within the larger story.   Like all of the yogic stories, it has multi-leveled layers of meaning.  To simply hear the story will engage the different conscious levels of your mind.

The Participants  

Matsyagandha, whose name means fishy-smell, was the adopted daughter of a fisherman.  The rishi Parashara, who founded Vedic astrology, asked her to ferry him across the river in her boat. While crossing the river, Parashara suggested that in exchange for sex with him, he would take away her fishy smell and give her a fragrant smell.  He hid the boat with a magic spell so that no one would see them, and caused her to instantly give birth to a son.  Parashara named the baby Vyasa, restored her virginity, and took the baby with him when he disembarked on the other side.  From that time, her fishy smell was replaced by the wonderful fragrance of jasmine flowers and she is then called Satyavati. 

At this time Shantanu is the king of Hastinapura. One day he meets a beautiful and mysterious woman on the banks of the river near his palace and falls in love with her. She agrees to marry him on the condition that he never question anything she does.  When she gives birth to their first child, she takes the baby to the river and drowns him.  Shantanu is shocked but is unable to say anything due to his promise.  Six more sons are born and she drowns each one.  Before she can drown the 8th child, Shantanu can be silent no longer.  He asks why and she explains that she is the goddess Ganga, and the eight sons are the eight Vasus who are personifications of the five Mahabhutas: Earth, Water, Fire, Air, Space, and also the main celestial bodies Sun, Moon and Polestar. They are celestial beings who stole rishi Vasishtha’s divine cow, the Kamadhenu.  As punishment they are to be born on earth as mere mortals.  They asked Ganga to be their mother and to free them from their curse by drowning them in her waters as soon as they are born.  The eighth son is the one who masterminded the theft of the cow.  Ganga disappears with the eighth child. Later when he comes of age she returns him to his father. His name is Devavrata (divine vow).   


Meanwhile Shantanu returns to the river and meets Satyavati and falls in love with her.  Her fisherman father is no fool and he refuses the King’s offer of marriage unless Shantanu agrees to make Satyavati’s child heir to the kingdom.  This would mean disinheriting his own son Devavrata.  Shantanu refuses, returns to his palace and mopes around for days and days.  Devavrata questions his father's charioteer about where his father had been on the day in question.  Retracing his father’s steps, Devavrata finds the hut of the fisherman and  his daughter Satyavati, and all becomes clear.  Devavrata only wants his father to be happy, and he renounces his claim to the throne. 

         Not good enough. The fisherman points out that Devavrata can renounce the throne for himself, but what about his descendants, his sons.  His sons will contest his renunciation. So Devavrata calls upon all of the deities to witness his vow - that he will remain celibate for his entire life. All the deities whisper “Bhishma, Bhishma, Awesome, Awesome.”  From then on, Devavrata is called "Bhishma".  This awesome vow grants Bhishma the power that he cannot be killed against his will and also that he can choose the moment of his death.

Shantanu and Satyavati marry and they have two sons before Shantanu dies. Satyavati’s first son is killed in a duel before he marries.  The second son is named Vichitravirya. Bhishma is sent out to find wives for his brother, so he goes to a svayamvara, a ceremony in which a woman can choose her husband.  There is a svayamvara of three princesses in a neighboring kingdom. There are many suitors there engaging in ceremonial combats to impress the princesses.  Bhishma interrupts it by kidnapping all three princesses: Amba, Ambika and Ambalika.  Amba tells Bhishma that she has already selected her future husband, so he lets her go.  But when she returns, her fiancé rejects her because she had been in the company of another man, Bhishma.  

    Very angry, she finds Bhishma and demands that he marry her.  He refuses because of his vow of celibacy. This makes her even angrier, so she goes to the famous ax warrior Parashurama and tells him her story. Parashurama hates Kshatriya (caste) warriors like Bhishma, and he agrees to fight and kill him for her.  They fight and fight but neither can defeat the other.  Afterwards, wandering in the forest in despair, Amba prays to Lord Shiva for his help in killing Bhishma. Shiva appears to her and grants her wish.  He tears off a strip of silk from her sari and ties it to an arrow which he shoots off into the distance.  He tells her, "When you see the arrow again, you will remember," and then he causes her to die.


Meanwhile, back in Hastinapura, Vichitravirya falls down some steps and dies before ever having relations with his wives.  But all is not lost, Satyavati knows that her sons have an older brother, Vyasa, the son of Parashara. She summons Vyasa and orders him to impregnate his brother’s widows, which is an accepted custom to maintain a royal dynasty.  Vyasa is a yogi who has been living in the wilderness and he looks like a wild man.  He suggests that he be allowed to clean up and trim his hair and beard, but his mother is in a terrible rush.  Vyasa goes to Ambika and she closes her eyes during sex and then gives birth to Dhritarashtra who is born blind.  Next he goes to Ambalika and she turns pale when she sees him and gives birth to Pandu, a sickly albino child.  Satyavati orders Ambika to see Vyasa again, but she sends her enslaved serving maid in her place, who is delighted to be with an enlightened yogi like Vyasa. She couples with him gladly.  Vyasa gives her her freedom and she gives birth to Vidura, who later becomes the wisest prime minister of Hastinapura. 

Pandu becomes king because his older brother Dhritarashta was disqualified from rule because he was blind.  Pandu becomes king and takes two wives: Kunti and Madri.  Before they have any children, however, Pandu falls under a curse.  Out hunting one day, he shoots a stag with an arrow just as the stag is coupling with a doe.  With his last breath, the stag curses Pandu to die the next time he couples with his wife.  Since Pandu is unable to produce an heir, he abdicates his throne to his older brother Dhritarashta and goes into exile with his wives Kunti and Madri.  

When Kunti was a girl in her father's palace, she happened to serve the most irascible of sages, Durvasa. She pleased him so much with her kindness and patience that he gave her a mantra by which she could invoke any deity to bless her with a child. To test it, Kunti invoked Surya the sun god and she immediately gave birth to a beautiful boy with golden armor and earrings.  Panicked, she placed the baby in a basket and floated him down the river. This has grave implications later.

Now in exile with Pandu, Kunti decides to use the mantra to give herself children who will be accepted as sons of Pandu. She uses the mantra to invoke Dharma who fathers Yudhisthira, Indra who fathers Arjuna, and Vayu who fathers Bhima. Then she gives the mantra to Madri who uses it to invoke the twin gods the Asvins who father Nakula and Sahadeva. 



Meanwhile, back in Hastinapura, Dritarashtra's wife Gandhari was pregnant for two years and then gave birth to a lump of flesh. Vyasa divided the lump into a hundred and one pieces and placed them into pots of ghee. After two more years, the pots were opened and one hundred sons and a daughter were born. The eldest son is Duryodhana. He and his brothers, embody all of the demoniacal qualities described in the Bhagavad-Gita. 

Hypocrisy, arrogance, pride, anger, insolence, and ignorance are the endowment of those born to a demoniacal destiny.  --Chap. 16, v.4

The Pandava brothers, who are the rightful heirs to the throne, embody all the great virtues, aredescribed as:

Vigor, forgiveness, fortitude, purity, freedom from malice, freedom from pride, these are the endowments of those born to a divine destiny, Arjuna. --Chap. 16, v. 3, 

The Pandava brothers, though, are unlucky.  They lose their throne when the eldest brother, Yudhisthira, loses a game of dice and forfeits all of their possessions, including the right to rule the kingdom to their cousins.  Their cousins are not lucky - they have cheated.  Shakuni, the Kauravas’ maternal uncle, provided loaded dice for the game.  In ancient times, luck was a very important quality for a king to have. Gambling games were a popular way to demonstrate one’s luck.  Think about it. Does James Bond ever lose at the casino?  He has luck, skill and cleverness.  

So the Pandavas lose their throne to Duryodhana through a deception.  In order to avoid war, the Pandavas agree to go into exile for twelve years and to live the thirteenth year in an impenetrable disguise.  If Duryodhana is unable to find them or penetrate their disguise, he agrees to return their throne to them and he and his brothers will live in exile for twelve years.  For twelve years the brothers go through many hardships in exile, but they learn many valuable lessons and skills along the way, always following dharma.  In this way they become lucky.  They succeed in living the thirteenth year in disguise. However, Duryodhana refuses to return their throne and war ensues between the two factions.  

As war becomes unavoidable, the Pandavas and the Kauravas amass great armies and face one another on the plain of Kurukshetra.  Through previous vows of loyalty, Drona and Bhsihma fight on the side of the Kauravas. The Pandava brothers must fight Karna, their mother Kunti's oldest son born when she was a girl. Karna joins the side of their rivals.  

The story of Sikhandin is one of the most interesting stories of the epic. After Shiva causes Amba to die, she is reborn as the daughter of Draupada, a king who was prophesied to have a valiant son. Although his wife gave birth to a daughter, Draupada was confident the prophecy would be fulfilled and raised his daughter as a son, training as a warrior. When Sikhandin came of age, s/he was betrothed to a princess. On the wedding night, the princess discovered her groom was another woman. Aggrieved by this insult she fled home and told her father who immediately declared war on Draupada. Sad and ashamed to be the cause of this discord, Sikhandin left home and went to the the forest where s/he encountered a Yaksha, a tree spirit. Asking Sikhandin why s/he was so sad, Sikhandin told the whole sad story. "No problem! said the Yaksha. "We can trade genders! I will give you my male gender and you can enjoy your wedding night and prove your masculinity. Tomorrow, you can return and we will trade back." Sikhandin returns to the wedding bed as a man.  However, the next morning upon returning to the forest, finds that the king of the Yakshas has decreed that this is unacceptable. The Yaksha must remain female, and Sikhandin must remain male. As Sikhandin walks back through the forest to his father's palace he finds embedded in the ground an arrow with a strip of faded silk tied to it. He remembers!

    Later, the Pandava brothers realize they cannot win the war while Bhishma lives, so they sneak into the Kaurava camp at night to see their great-uncle. Kneeling to him with reverence, they ask, "Please tell us how we can kill you."  Bhishma answers, "I will not raise my weapons to a woman or to anyone who has once been a woman."  Now the Pandavas know that they have a warrior in their army like this. Their wife Drupadi is the sister of Sikhandin. They place Sikhandin in Arjuna's chariot and Bhishma, recognizing who he is,or was - lays down his weapons.  Then, Arjuna unleashes all his arrows so that when Bhishma falls from his chariot, his body does not touch the ground - so shot full of arrows it is.

    We, as yoga practitioner, understand that this is a symbolic struggle that is still going on today in the mind of the individual as the opposing factions of our natures struggle with the issues of our lives.  Dharma is the theme of the Mahabharata, but more than righteous conduct, it also means to follow the correct path in life.  There is no black and white in this epic, only shades of gray, like real life.

    Before the first battle begins, Krishna had agreed to give his undefeated Yadava army to one side and his friendship and advice to the other but vows he will not bear arms in the conflict.  Duryodhana wants his army and the Pandavas want Krishna's friendship. Krishna becomes Arjuna's charioteer.  Arjuna asks Krishna to drive his chariot to the center of the battlefield so that he can survey the two opposing armies. Arjuna becomes depressed by the sight of so many people he knows and loves in both armies, and whom he knows are going to have to be killed in order for him to win. The struggle seems pointless, so he casts his weapons aside and sinks to the ground in despair. He asks Krishna what he should do and Krishna answers with the wisdom known as the Bhagavad-Gita, teachings on the yoga of action - the yoga of life in this world.   

Friday, May 22, 2026

 

The Jungle Doctor

By Laura Spaulding
AYRI, KPJAYI Authorized Level I, Sharath Jois Level 2, Yoga Alliance E-RYT 500

In the Ashtanga Yoga tradition, an invocation is recited at the beginning of practice each day, which goes in part:

Vande guruṇām caraṇāra vinde sundarśita svātma sukhāva bodhe

Niḥśreyase jaṅgalikāymane samsāra hālāhala mohaśāntyai

Which means:

I honor the guru (teacher) who shows the way to the highest good.

The teacher is like the jungle doctor who removes the poison of worldly existence.

In 2009 I took a teacher’s course with Sharath Jois who was the grandson of K. Pattabhi Jois, who was for many years the main teacher of the Ashtanga system. When I first met Mr. Jois in 1999, he told us in a conference one day that he planned to offer a course to already-authorized teachers to pass on the tradition.  In 1999 I was new to Ashtanga Yoga and this was my first time in Mysore, but I could imagine how great it would be to participate in that course.  Ten years later in 2009, he and Sharath planned to offer the course in June.  By then, I had become an authorized teacher and I was invited to attend.  I wouldn’t have missed it for anything.  Sadly, a month before the course was to have started, Mr. Jois died.  After a period of mourning and the memorial service, Sharath taught the course on his own and he tried to make it as similar as possible to his experience of learning under his grandfather.  We were required to teach each other while Sharath observed us and made corrections.

Sharath told us a story to illustrate that our duty as teachers of yoga was to practice and study yoga to be of benefit to others.  He told us: in a small village, there was a large banyan tree at its center.  Banyan trees have aerial roots that descend from the branches so that the tree expands out from the center. Some trees are huge, taking up a lot of space. They don’t bear fruit and have little practical value other than providing shade. In this village, a yogi appeared and took up residence under the shade of the banyan.  One of the village merchants didn’t like the tree or the yogi because they were of no value to the village. He tried to convince the other villagers that the tree should be cut down, and then the yogi would leave. However, none of the other villagers were willing to cut down the tree.  It had been there for a long time.  Not long after, one of the merchant’s children became gravely ill with a fever.  One of the other villagers told the distressed merchant, “Take him to the yogi.”  Desperate, the merchant took the child to the yogi, who took the child and held him in his arms.  He instructed the villagers to bring him cool water and he bathed the child and placed some herbs in the child’s mouth.  Gradually, the child’s fever subsided and the child began to sleep peacefully. The child recovered.  The merchant changed his mind about both the tree and the yogi.  

Then Sharath told another story of an incident that had been witnessed by his grandfather and grandmother while they were on a pilgrimage to the temple at Kedarnath. This famous temple is 11,755 feet above sea level, and 16 kilometers beyond the nearest road in a remote part of the Himalayas.  It is accessible only by walking or riding a pony along a steep mountain path, or by helicopter.  Pattabhi Jois and his wife visited it before helicopters were used so they walked. 

As they were walking up the mountain, they saw a woman collapse, possibly from altitude sickness.  No one knew what to do to help her, but a yogi appeared. He knelt beside her and examined her briefly, then he dashed off and came back with herbs that he crushed under her nose and revived her.  Then he quickly left again and they didn’t see him again. 

In 2018 I took my second pilgrimage to Kedarnath and rode a pony.  The ponies stop and let off their riders about two kilometers from the Kedarnath Temple, and everyone must walk the rest of the way or hire a porter to carry them.  Porters are available along the way to carry people up the path. They have a large basket strapped to their back like a large baby carrier.  Passengers sit in the basket and are carried up to the temple.  A friend who was on the pilgrimage with me developed altitude sickness and was unable to walk the rest of the way to the temple after we got off the ponies. A porter came along and wanted to carry her, but she was distraught and reluctant to sit in the basket.  She kept trying to walk, but after two or three steps, she would have to sit again and try to catch her breath. As we waited for her to collect herself, I looked up toward the temple and saw an amazing sight.  A young yogi dressed in the orange robes of a renunciate was striding down the path toward us.  He was looking at her seated on the ground with great concern.  This young man seemed to have a glow about him.  He spoke excellent English and sat down beside her.  He smiled reassuringly and began to give her helpful breathing instructions in a calm voice.  Within a few minutes she had become calm and her breathing was no longer labored.  She agreed to let the porter carry her and they went ahead of us. The young yogi continued down the mountain.

Kedarnath Temple

Thursday, March 26, 2026

Connecting Satyam, Mithyā, and Ṛtam to Yoga Practice and Meditation

(Yogi listening to Musician Playing Kedar Raga)
Kedar Ragini by Ruknuddin, ca. 1690-95
from Bikaner, Rajasthan, India,
Metropolitan Museum of Art


by Laura Spaulding

I am indebted to Shri Pujiya Swami Dayananda Saraswathi's lectures on Vedanta for an understanding of these concepts.  I was assisted by AI in organizing this material. The research and thoughts are my own.

Wednesday, March 25, 2026

Stages of the Truth

Kapila
Kapila - Traditional Founder of Samkhya Philosophy

by Laura Spaulding

Originally given as a lecture on February 14, 2026 as part of the 300 Hour Training series: How to Know the Truth. I used AI to help me with research. The ideas expressed are mine.

In Indian philosophy—especially in the Vedic and Vedāntic traditions—satyam, mithyā, and ṛtam form a subtle hierarchy of truth and reality. They are related but operate at different levels of meaning and experience.  This article also relates the terms to the Six Traditional Schools of Indian Philosophy.

1.   Ṛtam (ऋतम्)Cosmic order, truth-in-action

Ṛtam is the oldest of the three terms, prominent in the Ṛg Veda.

  • It refers to the cosmic order that governs the universe
  • The principle by which the sun rises, the seasons turn, and cause and effect operate
  • It is truth as harmony, law, and rhythm

Key sense:

Ṛtam is truth as the way things work.

It is not primarily philosophical abstraction, but lived order—the pattern that sustains the cosmos and moral life. When humans act in accordance with ṛtam, their actions support dharma and harmony.

Later traditions gradually internalized ṛtam into dharma and satya.


2. Satyam (सत्यम्)That which truly is

Satyam comes from sat (“being” or “existence”).

  • That which exists in all three times (past, present, future)
  • That which never changes
  • In Vedānta, satyam ultimately refers to the non-negatable truth - Brahman

Upaniṣadic sense:

“Satyam jñānam anantam brahma”
— Brahman is truth, knowledge, infinity.

Key sense:

Satyam is absolute truth or ultimate reality.

It is not merely factual correctness, but ontological truth—what is real in the deepest sense.


3. Mithyā (मिथ्या)Dependent or apparent reality

Mithyā is a technical term in Advaita Vedānta.

  • That which appears, functions, and is experienced
  • But does not exist independently
  • Neither absolutely real nor completely unreal

Classic examples:

  • A rope mistaken for a snake
  • A reflection in a mirror
  • The world, as experienced through name and form (nāma–rūpa)

Key sense:

Mithyā is dependent reality—real enough to experience, but not ultimately real.

The world is not denied; its independent existence is denied.

 Stages of the Truth
In Indian philosophy—especially in the Vedic and Vedāntic traditions—satyam, mithyā, and tam form a subtle hierarchy of truth and reality. They are related but operate at different levels of meaning and experience.

How they relate to each other

Hierarchy of reality

Term

Level of truth

Description

Satyam

    Absolute

            Unchanging reality (Brahman)

Mithyā

    Empirical / dependent

            Apparent world of experience

Ṛtam

    Cosmic / functional

            Order governing the manifest world

Relationship summarized

  • Satyam is what is
  • Mithyā is what appears to be
  • Ṛtam is how appearances are ordered

Or more poetically:

Satyam is the ground
Ṛtam is the rhythm
Mithyā is the display


Philosophical integration (Vedāntic view)

  • The world operates according to ṛtam (law, causality, order)
  • The world itself is mithyā (dependent, changing)
  • The substratum of both is satyam (Brahman)

Thus:

  • Ṛtam explains why the world coheres
  • Mithyā explains why the world changes
  • Satyam explains why anything exists at all

Practical implication (yogic / contemplative)

  • Living in alignment with ṛtam = ethical, harmonious action
  • Discriminating mithyā from satyam = liberation (viveka)
  • Realizing satyam = freedom from suffering

Points of View- Visions of the Truth

Nyāya – The School of Logic and Reasoning

Primary focus: Epistemology (how do we know) and logic (reasoning conducted or assessed according to strict principles of validity).
Goal: Liberation through correct knowledge

Key points:

  • Systematizes logic, debate, and reasoning.
  • Defines four valid means of knowledge (pramāṇas):
    1. Perception (pratyakṣa)
    2. Inference (anumāna)
    3. Comparison (upamāna)
    4. Testimony (śabda)
  • Emphasizes eliminating false knowledge as the cause of suffering.
  • Argues for the existence of God (Īśvara) as a rational necessity.
  • Closely allied with Vaiśeṣika metaphysics.

Vaiśeṣika – The School of Categories and Atomism

Primary focus: Metaphysics and ontology
Goal: Liberation through understanding reality’s structure

Key points:

  • Classifies reality into categories (padārthas) such as:
    • Substance, quality, action, universality, particularity, inherence, non-existence
  • Proposes an atomic theory: all physical objects are composed of eternal atoms.
  • Accepts perception and inference as valid knowledge sources.
  • Early Vaiśeṣika is non-theistic; later merges with Nyāya’s theism.
  • Seeks liberation through correct discrimination of reality.

Sāṅkhya – The School of Enumeration

Primary focus: Dualist metaphysics
Goal: Liberation through discriminative knowledge (viveka)

Key points:

  • Posits two ultimate realities:
    • Puruṣa (pure consciousness)
    • Prakṛti (primordial matter)
  • Enumerates 25 tattvas (principles) of existence.
  • Explains suffering as confusion between consciousness and matter.
  • Non-theistic (no creator God needed).
  • Liberation (kaivalya) occurs when Puruṣa realizes its distinction from Prakṛti.

Yoga – The School of Practice

Primary focus: Psychology and spiritual discipline
Goal: Liberation through direct meditative realization

Key points:

  • Closely aligned with Sāṅkhya metaphysics.
  • Codified in Patañjali’s Yoga Sūtras.
  • Introduces Īśvara as a special puruṣa (object of devotion).
  • Teaches the Eightfold Path (Aṣṭāṅga Yoga):
    • Ethical restraints, observances, posture, breath control, sense withdrawal, concentration, meditation, absorption
  • Liberation comes through stilling the fluctuations of the mind (citta-vṛtti-nirodhaḥ).

Mīmāṃsā (Pūrva Mīmāṃsā) – The School of Ritual and Dharma

Primary focus: Interpretation of the Vedas and ritual action
Goal: Fulfillment of dharma and heavenly rewards

Key points:

  • Focuses on the earlier (pūrva) portion of the Vedas.
  • Emphasizes ritual action (karma) as eternally efficacious.
  • Holds the Vedas to be authorless and infallible.
  • Minimizes or rejects a creator God.
  • Liberation is less emphasized; the focus is on right action and cosmic order.

Vedānta (Uttara Mīmāṃsā) – The School of the Upaniṣads

Primary focus: Ultimate reality and liberation
Goal: Mokṣa through knowledge of Brahman

Key points:

  • Centers on the Upaniṣads, Bhagavad Gītā, and Brahma Sūtras.
  • Explores the relationship between:
    • Brahman (ultimate reality)
    • Ātman (self)
    • Jagat (world)
  • Major sub-schools include:
    • Advaita (non-dualism)
    • Viśiṣṭādvaita (qualified non-dualism)
    • Dvaita (dualism)
  • Liberation arises through knowledge (jñāna), often integrated with devotion (bhakti) and ethical living.

At a Glance

School

Core Method

Ultimate Goal

Nyāya

Logic & reasoning

Right knowledge

Vaiśeṣika

Metaphysical analysis

Understanding reality

Sāṅkhya

Discriminative wisdom

Isolation of consciousness

Yoga

Meditative discipline

Direct realization

Mīmāṃsā

Ritual action

Dharma & cosmic order

Vedānta

Self-knowledge

Mokṣa


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